Joseph Dall'Abaco Capriccio No. 1-11

#DallAbaco #Capriccio #Baroque #Cello #Classical #rarity
Christine von der Goltz
Capriccio No. 1 in C minor 00:00
Capriccio No. 2 in G minor 04:18
Capriccio No.3 in E# major 07:12
Capriccio No. 4 in D minor 14:12
Capriccio No.5 in B major 21:30
Capriccio No. 6 in E minor 23:51
Capriccio No.7 in B major 29:22
Capriccio No. 8 in G major 38:13
Capriccio No. 9 in C major 42:11
Capriccio No. 10 in A C major 44:45
Capriccio No. 11 in F major 48:42
Joseph Dall'Abaco: A Forgotten Pearl of the Baroque in Eleven Capriccios
In the rich tapestry of Baroque music, alongside giants like Vivaldi and Bach, there were masters whose legacy is only now receiving the recognition it deserves. One of them is Joseph Dall'Abaco (1710–1805), a virtuoso composer and cellist. His cycle "Capriccio Nos. 1–11 for Solo Cello" is a shining example of the performance and compositional art of his time.

Written in the mid-18th century, these eleven pieces represent a treasure trove of technical and artistic techniques. The very word "capriccio" suggests a free, whimsical form, full of fantasy and improvisation. Dall'Abaco makes brilliant use of this freedom, creating miniatures that are alternately lyrical and melodious, and virtuosic and impetuous.

The cycle demonstrates how far cello technique had advanced by that time. The composer employs complex passages, double notes, chords, and rhythmic complexities in the pieces, revealing the instrument not only as an accompanist but also as a fully-fledged solo voice, capable of powerful emotional expression. Dall'Abaco's musical language combines late Baroque polyphony with elements of nascent classicism, making his music particularly engaging and dynamic.

Each capriccio has its own character: in some it is a melancholic sarabande, in others a lively dance, and in others a technical étude aimed at practicing a specific technique. Together, they form a captivating musical journey, full of contrasts and surprises.

Today, Dall'Abaco's "Capriccio Nos. 1-11" is not just a historical artifact, but living music that resonates with modern audiences. It reveals a little-known page of classical music to listeners and provides cellists with excellent material to demonstrate both technical mastery and interpretive depth. This work is a true treasure for anyone who wants to go beyond the confines of the canonical repertoire and immerse themselves in the wondrous world of Baroque music.

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