Escape Dangerous (1947) - British B-Film Period Drama

A low-budget British second feature, this historical drama set against the backdrop of the French Revolution was panned by critics of its time as a rough and confusing costume picture.

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📖 STORY
A cardboard historical drama set during the turmoil of the French Revolution.The plot, reported by contemporary critics as difficult to follow, likely involves characters navigating the dangers of the era, including guillotines and prison carts, in a struggle for survival or escape.

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⭐ HIGHLIGHTS

· A quintessential example of a British "second feature" or B-film from the post-war era
· Directed by Digby Smith, who is better known today as a film historian than a director
· A rare foray into a period costume drama on a shoestring budget
· Showcases the kind of programming that filled double-bills in British cinemas
· A fascinating cinematic curio that was critically maligned in its day

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🎬 PRODUCTION DETAILS

· Genre: Drama, Historical, B-Film
· Director: Digby Smith
· Runtime: [To be confirmed, typical for a second feature]
· Cast: Beresford Egan, Mary Stone, Cyril Conway
· Country: United Kingdom
· Studio: H & S Films Limited
· Release Year: 1947

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🎪 BEHIND THE SCENES
This film is a perfect representative of the British"second feature" system, which produced countless low-budget movies to support the main attraction in cinemas. The director, Digby Smith, had a very brief directing career but later found his calling as a respected film historian, making this film an interesting footnote in his own career. Produced by H & S Films Limited, it was part of the bustling ecosystem of modest British film production in the late 1940s.

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🏛️ CULTURAL LEGACY
Escape Dangerousholds a place not for its artistic merit, but as a well-documented example of a critical failure and a commercial workhorse of its time. It illustrates the challenges of producing period dramas on limited budgets and serves as a case study for the kind of films that were quickly made and quickly forgotten, yet essential for keeping the film industry running. Its notoriety comes from its contemporary reviews, preserving its status as a "so-bad-it's-interesting" artifact of post-war British cinema.

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💬 DISCUSSION
What other films from the British"second feature" era have been rediscovered? How do these low-budget period dramas compare to their big-studio counterparts? Does a film's contemporary panning by critics make it more intriguing to modern audiences?

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