Why Hollywood Worships the Villain: The Cultural Reprogramming of a Nation

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Tonight we’re lighting up the velvet curtain of Hollywood and exposing one of the most corrosive narrative shifts of our era: the glorification of the villain. We launch with the true Hero’s Journey — the ancient framework that shaped the West, taught boys to become men, and reminded civilization what virtue looks like.

Then we turn to the modern inversion: Maleficent, Cruella, Joker, Wicked, antihero franchises, villain origin stories, serial-killer sympathy arcs — the whole machine designed to rewire moral instincts and convince the audience that evil is merely “complex,” “misunderstood,” or “oppressed.”

And this isn’t an isolated studio trend. It’s one pillar in a coordinated cultural program:

The U.S. State Department declaring mass migration a human-rights abuse crisis

Rising oikophobia, especially among left-voting AWFLs who treat self-loathing as a virtue

The explosion of leniency for violent criminals when their demographic profile is narratively convenient

The constant messaging that “bad guys aren’t bad,” they’re victims — and the real villains are stability, order, and the people who defend them

It all serves the same mission: canonize the monster and pathologize the hero.

By the end of tonight’s show, you’ll see exactly how villain-worship, policy insanity, and cultural self-hatred fuse together — and why the ruling class needs this inversion to dismantle the West’s moral immune system.

When we send the freeloaders on their way, we’ll blow the doors off with All Their Martyrs Are Monsters and dive even deeper.

Light the match. Let’s burn through the lies.