Young and Willing (1943) | Directed by Edward H. Griffith

A lighthearted comedy about a group of ambitious young actors struggling to launch their theatrical careers while sharing a cramped New York apartment. Their plans unravel when a visiting producer stumbles into their chaotic living situation, triggering misunderstandings, romantic mishaps, and a frantic effort to appear respectable. The story blends fast-moving dialogue with classic stage-theatre humor, capturing the energy of young performers desperate for a break.

Genre: Comedy / Romantic Comedy

Director: Edward H. Griffith

Edward H. Griffith was an American director active from the silent era through the 1940s. Known for graceful storytelling and an eye for stage-influenced comedy, he frequently adapted theatrical material for the screen. Griffith’s films often emphasized character interactions and polished timing rather than spectacle, placing him among the reliable studio directors of his generation.

Star Cast:

William Holden as the earnest aspiring actor

Susan Hayward as a determined young actress

Eddie Bracken as the nervous roommate caught in every mishap

Robert Benchley as the exasperated producer who becomes entangled in their troubles

Martha O'Driscoll in a supporting role that adds romantic tension

Audiences of the early 1940s received the film as light entertainment at a time when upbeat stories were in demand. Critics noted its playful ensemble chemistry and appreciated the youthful performances of stars who would later become major Hollywood figures. While not considered a major studio classic, it was praised for its breezy comedic pacing and for providing welcome escapism.

Fun Facts:

The film was adapted from the successful stage play Out of the Frying Pan, retaining much of its theatrical rhythm and ensemble humor.

William Holden and Susan Hayward were both rising stars at the time, and this film helped strengthen their screen personas.

Robert Benchley, well known for his witty essays and stage appearances, brought his trademark deadpan humor to the role.

The film offers an authentic look at early-1940s theatrical life in New York, reflecting the eclectic living arrangements common among struggling actors.

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