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They are seething over this game
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Hey everyone — it’s Leaflit! Today I’m reacting to the new Pragmata trailer from Capcom — that emotional sci-fi adventure where a lone astronaut and a young android companion team up to survive on a mysterious lunar station and try to return to Earth. The trailer really pulls at something deep — the instinctive drive for purpose, protection, and connection between characters (including scenes that remind me of the bond between a parental figure and a child).
I’m also reacting to Hasan’s live reaction to the same trailer — where instead of appreciating the tone, story, and emotional depth, he brought in racial commentary that didn’t really fit the moment. It’s one thing to apply big-picture analysis to politics, but it’s another to take a wholesome creative work and immediately make it about race or culture instead of the story itself.
Here’s what I break down:
What Pragmata is actually about: It’s a near-future sci-fi action adventure where Hugh, a spacefarer, and Diana, an android girl-like companion, rely on each other to survive and make their way back to Earth against hostile threats in a lunar setting — a setup that naturally evokes themes of care, protection, and human connection.
Why the trailer resonates emotionally: Scenes of Hugh protecting Diana, and their partnership, evoke the primal human need to feel purpose, belonging, and to protect those we care about — something everyone can connect with, regardless of background.
Why I think some reactions miss the point: When people like Hasan immediately pivot to unrelated politics — especially race arguments that have little to do with a simple, tender fictional moment — it can derail the experience and strip away the emotional core the creators were trying to convey.
Why we should celebrate storytelling: Video games and trailers that explore purpose, protection, and connection deserve to be appreciated for their narrative and artistic value. You can critique, analyze, and even disagree with themes — but don’t reduce everything to unrelated political frameworks when the story itself was clearly about human bonds.
My take: I love seeing narratives that tap into universal needs like belonging and protective instinct. When reactions skew toward needless controversy, they distract from genuine appreciation and creative conversation.
If you enjoy Pragmata’s emotional depth and want real commentary that respects the art and intelligent critique, hit Like, Subscribe, and ring the bell! Tell me in the comments: What part of the Pragmata trailer spoke to you — the connection between characters, the mystery, or something else entirely?
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