"Reggae Rock Lullabye" is a notable track by the British-based reggae artist King Sounds (born Roy Livingstone Plummer), typically performing with his band, The Israelites. "Reggae Rock Lullaby" is celebrated for its protective and hopeful themes, speaking of dreaming of better mornings and the reassuring presence of a mother's love. It remains a staple for fans of 80s reggae and lovers' rock. Artist: King Sounds (Roy Livingstone Plummer) & The Israelites. Release Date: Originally released on January 1, 1985, as a 7" and 12" single. Album: Appears on the album "There Is A Reward." Writer/Producer: Roy Livingstone Plummer Label: King And The I (UK). Location: While King Sounds began his career in Jamaica, this track was recorded in the United Kingdom during his period with the King And The I label. King Sounds was a key figure in the London reggae scene, often recording at prominent UK studios like Easy Street Studios and The Fallout Shelter.

Artist: Chalice Album: Stand Up! Genre: Reggae Release Date: January 1, 1984 Label: Pipe Music International Experience the uplifting vibrations of "Shine On," one of the standout tracks from the legendary Jamaican reggae band, Chalice. Released as part of their acclaimed 1984 album Stan' Up, this song perfectly captures the band’s signature blend of roots reggae and melodic pop sensibilities that dominated the 1980s reggae scene. "Shine On" (sometimes known as "Shine On Your Way") is a powerful anthem of perseverance and hope. Written by band members Winston "Alla" Lloyd and Wayne Armond, the lyrics speak to the struggle of life ("all I want from livity is a life of peace") while maintaining a spiritual focus on eventual release and light. Recorded In: 1983 Location: Kingston, Jamaica Studio Details: The sessions for the Stan' Up album were held at major Jamaican hubs, with chief recording and mixing handled by the renowned Steven Stanley. Additional mixing for the album took place at the world-famous Tuff Gong Studios and was later mastered by Bob Ludwig at Masterdisk in New York. During the recording of this classic, Chalice featured its most iconic lineup: Trevor Roper: Lead Vocals / Guitar Wayne Armond: Guitar / Vocals Keith Francis: Bass Desi Jones: Drums / Percussion Mikey Wallace: Keyboards / Vocals Winston "Alla" Lloyd: Keyboards / Vocals Robi Peart: Guitar / Vocals Don't forget to Subscribe and Like for more timeless reggae classics and musical history!

Dive into the smooth, romantic sounds of June Lodge (also known as J.C. Lodge) with her iconic reggae rendition of "More Than I Can Say." Originally a 1960s pop hit, June Lodge transformed this track into a definitive Lovers Rock anthem that captured hearts across the globe. "More Than I Can Say" is a soulful cover of the song originally written by Sonny Curtis and Jerry Allison of The Crickets. While many remember the 1980 soft rock version by Leo Sayer, June Lodge’s reggae interpretation brought a fresh, rhythmic pulse to the lyrics of longing and devotion. Following the massive success of her hit "Someone Loves You Honey," this track solidified her status as a leading voice in the reggae-pop crossover scene. The song was recorded in 1980, shortly after her debut success. It was officially released as a single in 1980 and later featured on her 1982 album, Someone Loves You Honey. The track was recorded at the legendary Joe Gibbs Recording Studio in Kingston, Jamaica. It was produced by the powerhouse duo of Joe Gibbs and Errol Thompson, often referred to as "The Mighty Two".

"Mother-To-Be" is a roots reggae single by Earl Sixteen (born Earl John Daley), a prominent Jamaican singer known for his soulful voice and collaborations with various producers and bands like Dreadzone Originally released in 1979 on the 56 Hope Road label in Jamaica, "Mother-To-Be" is a heartfelt tribute and a staple for fans of conscious reggae. This 7-inch vinyl classic showcases Earl Sixteen's signature smooth vocals over a steady, melodic riddim, reflecting the transition of reggae into the polished production styles of the late 1970s. This track beautifully captures the emotions surrounding love, family, and new beginnings. With its mellow rhythm, rich bassline, and gentle vocal delivery, Mother-To-Be blends roots reggae consciousness with romantic expression, making it a favorite among reggae selectors and vinyl collectors worldwide. Album: Boss Man Release Year: 1979 Label: 56 Hope Road Location: Recorded in Kingston, Jamaica, the heart of the reggae movement Genre: Reggae / Roots Reggae

"Play Me A Love Song" is a classic reggae track and the title song of the 1981 solo album by Jamaican singer Nora Dean. Known for her soulful and expressive voice, Dean transitioned from early rocksteady and reggae hits like "Barbwire" to smoother "lovers rock" and gospel later in her career. Released in 1981 as the title track of her solo album under the Nationwide label (NWLP 007), "Play Me A Love Song" remains a definitive anthem of the Lovers Rock era. While Nora Dean is legendary for her early 1970s rocksteady hits like "Barbwire," this track showcases her transition into a more mature, soulful sound. The album was produced and arranged by Charles Reid (son of the legendary Duke Reid). Although specific studio credits are often debated, it was recorded during a period when Dean was working between Jamaica and the UK, and the tracks are widely believed to feature the powerhouse rhythm section of Sly & Robbie. Release Year: 1981. Genre: Reggae / Lovers Rock. Label: Nationwide (NWLP 007). Theme: The lyrics describe a longing for romantic music to celebrate a partner's return, asking a DJ to play "something soft and nasty".

"Soul Rebel" is a classic reggae song written by Bob Marley and famously covered by the Jamaican group The Gladiators. Experience the powerful roots reggae sounds of The Gladiators with their legendary cover of "Soul Rebel," originally written by Bob Marley. This track captures the true essence of Jamaican reggae with its deep basslines, soul-stirring vocals by Albert Griffiths, and timeless message of resilience and spiritual rebellion. Whether you're a lifelong fan of roots reggae or discovering the golden era of 1970s Jamaican music for the first time, this performance is a must-listen. The Gladiators remain one of the most influential bands in reggae history, known for hits like "Hello Carol" and "Bongo Red." Artist: The Gladiators Album: Trenchtown Mix Up Released: 1976 Genre: Reggae Songwriters: Bob Marley Lyrics I'm a rebel, soul rebel I'm a capturer, soul adventurer See the morning sun (uh-uh-uh) on the hillside (ooh) Not living good, yeah, travel wide Said, I'm a living man (ah-ah-ah-ah), I've got work to do (ooh) If you're not happy, children, must be blue (must be blue, must be blue) I'm a rebel, soul rebel I'm a capturer, soul adventurer I'm a rebel, I'm a rebel, soul rebel I'm a capturer, soul adventurer See the morning sun (uh-uh-uh-uh) on the hillside (ooh) Not living good, yeah, travel wide Say, I'm a living man (ah-ah-ah-ah), I've got work to do (ooh) If you're not happy, children, must be blue (must be blue, must be blue) I'm a rebel, soul rebel I'm a capturer, soul adventurer I'm a rebel, I'm a rebel, soul rebel I'm a capturer, soul adventurer I'm a rebel Rebel in the thin air

Artist: The Mighty Diamonds Song Title: Come Tomorrow Album: The Moment of Truth Genre: Roots Reggae / Rockers Composer: Herwin Auld Released: 1992 Experience the timeless harmony and soulful message of “Come Tomorrow” by the legendary Mighty Diamonds — one of Jamaica’s most influential roots reggae trios. Formed by Donald “Tabby” Shaw, Fitzroy “Bunny” Simpson, and Lloyd “Judge” Ferguson, the Mighty Diamonds became known for their smooth vocal blend and conscious yet romantic storytelling. “Come Tomorrow” is a heartfelt roots reggae love song recorded during the group’s golden era in the late 1970s, a period when Jamaican reggae was shaping global culture. The song reflects patience, hope, and emotional commitment, capturing the warmth and sincerity that defined classic roots reggae recordings from Kingston studios of that time. With its mellow riddim, rich harmonies, and uplifting message, this track stands as a reminder of reggae’s ability to heal, inspire love, and speak directly to the soul. Whether you’re rediscovering this classic or hearing it for the first time, “Come Tomorrow” remains a powerful expression of real reggae music and timeless emotion. 🎧 Sit back, turn up the volume, and let the roots speak. 💬 Drop a comment: What does this song mean to you? 👍 Like, share, and follow Rasta Vibration for more classic roots reggae, rare gems, and conscious music.

"Thank You Lord" by The Heptones is a popular Reggae track released in 1986, featured on their album Changing Times, known for its uplifting message and signature three-part harmonies from the classic Jamaican vocal group, a song that remains a beloved piece in their extensive catalog. Artist: The Heptones (Barry Llewellyn, Leroy Dallass, Earl Morgan). Album: Changing Times. Release Year: 1986 (specifically July 14, 1986). Genre: Reggae. Producers: Often associated with Winston "Niney" Holness or KP&P - Celluloid.

Artist: Mighty Diamonds Album: Jam Session Released: 1990 Mighty Diamonds – A Feather in a Richman’s Hat — a timeless slice of authentic Jamaican roots reggae! This powerful track showcases the signature harmonies, lyrical depth, and spiritual message that made The Mighty Diamonds one of reggae’s most beloved groups. Recorded in the mid-1970s at Channel One Studio in Kingston, Jamaica, this song reflects the era’s social consciousness and the band’s unique ability to blend cultural commentary with sweet vocal harmony. Throughout the track, The Mighty Diamonds highlight themes of pride, inequality, and dignity — wrapped in a warm, roots-heavy rhythm that continues to resonate with reggae lovers worldwide. The Mighty Diamonds, formed in Trench Town in 1969, rose to global acclaim with their smooth voices and message-oriented songwriting. “A Feather in a Richman’s Hat” remains a strong example of their enduring legacy and influence in roots reggae culture. If you’re a fan of conscious reggae, 70s roots classics, or the golden voices of Jamaica, this one is for you. Enjoy, share, and keep the roots alive! 🌿🔥

Dive into the powerful vibes of “Invisible Wall,” by legendary reggae group The Wailing Souls — a haunting roots-reggae song that speaks truth to social and political barriers built by systems. Released on their 2020 album Back A Yard, “Invisible Wall” blends soulful call-and-response harmonies with stripped-back production that draws the listener into its urgent message. Hailing from Kingston, Jamaica and formed in 1968, The Wailing Souls have been icons of reggae — led by longtime members Winston "Pipe" Matthews and Lloyd "Bread" McDonald — carrying decades of musical heritage and socially conscious storytelling. “Back A Yard,” recorded as a reunion between the veteran duo and acclaimed producer Alborosie, hits hard in 2020 — showing that Wailing Souls’ voice remains as relevant and resonant today as ever. 👉 If you’ve ever felt walls dividing people — socially, geographically, or by class — this track calls for unity and awareness. Let it move you, reflect, and inspire. 🎧 Listen, Share & Spread Jah Vibes!

Artist: Ed Robinson Released: 1992 Album: Once Again Lyrics I heard them say Mama take this badge off of me I can't use it any more It's getting dark, too dark to see Feel like I'm knockin' on heaven's door And right now I'm knock, knock, knockin' on heavens door Knock, knock, knockin' on heavens door Knock, knock, knockin' on heavens door Knock, knock, knockin' on heavens door They say I gotta put my guns to the ground yeah I can't shoot them any more They see the long black cloud is coming down I feel like I'm knockin' on heaven's door And right now I'm knock, knock, knockin' on heavens door Knock, knock, knockin' on heavens door Knock, knock, knockin' on heavens door Knock, knock, knockin' on heavens door I'm knock, knock, knockin' on heavens door I'm knock, knock, knockin' on heavens door I'm knock, knock, knockin' on heavens door I'm knock, knock, knockin' on heavens door Wll somebody take this gun off of me now I can't shoot them any more Well the long black cloud is coming down yeeah I feel like I'm knockin' on heaven's door And then right now I'm knock, knock, knockin' on heavens door I'm knock, knock, knockin' on heavens door Oh well I'm knock, knock, knockin' on heavens door I'm knock, knock, knockin' on heavens door Right now Knock, knock, knockin' on heavens door Somebody please Knock, knock, knockin' on heavens door (Somebody please take this gun off of me yeah) Knock, knock, knockin' on heavens door (I see the long black cloud, it's coming down on me) (I see the long black cloud, it's coming down yeah) “Knocking On Heaven’s Door” by Ed Robinson is one of the most beloved reggae reinterpretations of a worldwide classic. Originally written by Bob Dylan in 1973, the song found new life when Jamaican singer Ed Robinson recorded this smooth, soulful reggae version in 1992, bringing a warm island vibe to one of the most emotionally powerful songs ever written. Ed Robinson’s version was recorded at Digital B Studio in Kingston, Jamaica, during a period when reggae was entering a golden age of crisp production and globally appealing sound. His unique voice — rich, expressive, and deeply rooted in reggae culture — transformed the track into a lovers rock–styled anthem that fans still cherish more than 30 years later. Born in St. Mary, Jamaica, Ed Robinson started his career as a drummer and vocalist before shifting fully into singing, earning international recognition with this very song. Over the years, he worked with legendary producers including Bobby “Digital” Dixon, Sly & Robbie, and Gussie Clarke, carving out a respected place in modern reggae history. This upload celebrates one of the finest reggae covers ever recorded — a song that continues to touch hearts, heal spirits, and reach new generations of listeners. Turn it up, share the vibes, and enjoy this timeless classic reimagined through Jamaican soul.

Jimmy Cliff is a 1969 album by Jimmy Cliff. It was retitled Wonderful World, Beautiful People after the track of that name was released as a single in the U.S. Richard Polak, who is credited with the sleeves of a number of Island Records artists in the early 1970s, is credited with photography. Artist: Jimmy Cliff Release: 1969 Genre: Reggae Label: Trojan Records “Wonderful World, Beautiful People” by Jimmy Cliff is one of reggae’s most uplifting and unifying anthems — a song that still inspires hearts worldwide. Recorded in 1969 at Dynamic Sounds Studio in Kingston, Jamaica, this masterpiece blends early reggae rhythms with Jimmy Cliff’s powerful call for peace, love, and global togetherness. With the recent passing of Jimmy Cliff, the world is reflecting on the legacy of one of reggae’s greatest voices — a man whose music carried messages of hope, social change, and human unity. “Wonderful World, Beautiful People” stands as one of his most important songs, reminding us that even in troubled times, kindness and compassion can transform the world. Jimmy Cliff, born James Chambers, became an international icon through classics like Many Rivers to Cross, The Harder They Come, Sitting in Limbo, and this unforgettable gem. His influence shaped generations of reggae lovers, conscious artists, and global peace advocates. This upload celebrates his impact and honors the everlasting message he shared with humanity. Play it loud, share the positivity, and keep Jimmy Cliff’s legacy alive.

Artist: The Meditations Album: No More Friend Released: ℗ 2008 Greensleeves Records

Artist: Lucky Dube Released: 1991 Album: House of Exile “Can’t Blame You” by Lucky Dube remains one of the most emotionally powerful and truth-filled tracks in his iconic discography. Recorded in the early 1990s—during a period when Lucky Dube was redefining modern reggae—this song blends roots melodies with conscious storytelling, shining a light on real-life struggles, broken systems, and the everyday experiences of ordinary people. Lucky Dube, one of Africa’s greatest reggae legends, used his music to speak directly to the world, and “Can’t Blame You” is a perfect example of his fearless honesty and compassion. The song’s message resonates even stronger today: understanding, unity, and breaking the cycles we inherit. This Official Lyric Video helps listeners connect more deeply with the words, emotions, and meanings behind the song. Whether you’re a longtime Lucky Dube fan or discovering his legacy for the first time, this reggae classic remains a timeless reminder of truth and humanity. Rest in Power, Lucky Dube — your voice continues to inspire nations.

Primary genre: Reggae Related genres: Ska and rocksteady Album: The song is featured on his 1975 album, Follow My Mind, which is labeled as reggae We honor the life and legacy of Jimmy Cliff, a global reggae pioneer who passed away only a few days ago — leaving behind a musical heritage that shaped generations. Today we revisit one of his early classics: “Hypocrites.” Originally recorded in the late 1960s during Cliff’s early career at Beverley’s Records in Kingston, Jamaica, “Hypocrites” reflects the rising social consciousness of the era. This track emerged during the transition from ska to the early roots-reggae sound — and Cliff’s sharp lyrical message cuts through the noise just as powerfully today. The song calls out false friends, double standards, and the people who smile in your face but secretly root against you. With Jimmy Cliff’s unmistakable voice, tight harmonies, and a warm rocksteady groove, “Hypocrites” stands as an early example of the bold storytelling that later made him a global icon. Now, with his recent passing, the message hits even harder — reminding us how true artists speak truth, uplift the people, and leave behind music that never dies. 💬 Comment below: What impact did Jimmy Cliff’s music have on you? 👍 Like, share, and subscribe to Rasta Vibration to help keep his memory and message alive. 🌍 Spread this video far and wide — let the world remember the King of Conscious Reggae.

Artist: Jimmy Cliff Album: The Power and the Glory Released: 1983 Today we celebrate the memory of legendary reggae icon Jimmy Cliff — a true pioneer whose music gave voice to the oppressed, brought hope to many, and helped carry Jamaican reggae worldwide. 🙏🏾 “American Dream” — featured on his 1983 album The Power and the Glory — remains a timeless anthem of truth, warning, and self-awareness. Recorded during the early 1980s and released in 1983 alongside the album, this song captures the struggle and illusion many face chasing foreign “dreams,” while urging listeners to seek spiritual and cultural roots instead. Jimmy Cliff +2 Jimmy Cliff +2 With soulful vocals, conscious lyrics, and a powerful roots reggae rhythm, “American Dream” warns against hollow promises and calls for awareness, dignity, and self-worth. Even more poignant now that we’ve lost Jimmy Cliff, this video stands as a tribute — a reminder of why his music still speaks to hearts everywhere. 🎧 Press play, reflect on the message, and honor the legacy of a man whose music bridged continents and uplifted souls. 💬 Share your thoughts: What does “American Dream” mean to you? Which line or lyric hits you the most? 👍 Like, share & subscribe to Rasta Vibration to keep his memory alive — and to keep old-school reggae real and conscious.

Artist: The Itals Album: Brutal Out Deh Released: 1981 Dive deep into roots reggae consciousness with The Itals – “Truth Must Reveal”, a timeless cultural anthem that continues to inspire truth-seekers worldwide. This powerful track reflects The Itals’ signature harmonies and uplifting message of justice, awareness, and spiritual awakening. “Truth Must Reveal” was recorded in the late 1970s in Jamaica, during a golden era of roots reggae when artists were channeling social struggles and spiritual truths into their music. The song carries that unmistakable vintage Kingston sound — warm basslines, crisp percussion, and soulful harmonies — wrapped in a message urging humanity to rise, open their eyes, and uncover what has been hidden. The Itals, known for conscious reggae classics like In a Dis Ya Time and Rasta Philosophy, deliver one of their most thought-provoking recordings here. If you're a fan of roots, culture, and positive vibrations, this track is a must-hear. Enjoy the vibes, share with a friend, and let the message flow through your spirit. Truth always comes to light.

Gate Pass to Your Heart · Freddie McGregor Reggae Hits, Vol. 28 ℗ 2000 Jet Star Music Ltd Released on: 2000-01-01 Lyrics Trying to get your attention Call you at work, can't get your extension Where is my gate pass to your heart, girl? Do I need to write security In order to get an entry Or do I need to break the lock on your vault? But I'm a patient man, I understand I wanna know what is your plan Must I wait, and for how long? Put an end to this frustration See you and your friends dem flirting Trying to get me hurting But, don't you see my flex is so smart, girl? As the world keeps turning My love for you keeps on burning And I'm always in your thoughts Cut me a key, give me a gate pass to your heart, yeah Give me your number, so we can make a start, yeah Cut me a key, give me a gate pass to your heart, girl Give me your number, so we can make a start, yeah Give me a start, yeah now Give me the gate pass, give me the key to your heart, girl Oh yeah Trying to get your attention Call you at work, can't get your extension Now, where is the gate pass to your heart, girl? Do I need to write security In order to get to your entry Or do I need to break the lock on your vault? But I'm a patient man, I understand I wanna know what is your plan Must I wait, and for how long? Help me end this frustration See you and your friends dem flirting Trying to get me hurting Don't you see my flex is so smart, girl? As the world keeps on turning My love for you, it keeps on burning And I'm always in your thoughts Just cut me a key, give me a gate pass to your heart, girl Give me your number, so we can make a start, yeah Cut me a key, give me a gate pass to your heart, girl Give me your number, so we can make a start, yeah Cut me a key, give me a gate pass to your heart, yeah So we can make a start, little darling Give me your number, so we can make a start, yeah Songwriters: Neville Anthony Stewart / Ivor Anthony Lindo / Composer Author Unknown / Frederick Alphonso McGregor

Step into a powerful message of freedom and repatriation with Carlene Davis’ rendition of “Black Star Liner.” This song honors the vision of Marcus Garvey and the historic Black Star Line — the steamship company he founded to connect the African diaspora and inspire return to the motherland. Carlene Davis, an internationally acclaimed Jamaican artist, recorded this version as part of her commitment to reggae’s message of upliftment and spiritual unity. While the exact year of her Black Star Liner version isn’t clearly documented in mainstream sources, this track became a standout in her early catalog, representing her powerful voice in roots reggae and her role as a cultural messenger. Musically, the song blends soulful vocals with a deep one-drop riddim, giving weight to the lyrics of struggle, hope, and a longing for home. Carlene’s heartfelt delivery makes this more than just a cover — it’s a spiritual anthem and a tribute to Garvey’s legacy. 💬 Comment below: What does the “Black Star Liner” symbolize for you? Do you see it as a call to spiritual return, cultural unity, or something else? 👍 Like, share & follow Rasta Vibration for more roots reggae classics, conscious covers, and music with meaning.

Artist: Harlem Spirit Album: Sussed Label: Fusion (6) – FU001 Country: UK Released: 1986 Genre: Reggae Style: Roots Reggae Turn up the good vibes with Harlem Spirit’s smooth and soulful reggae groove in “Have a Good Time.” Featuring their signature fusion of lovers-rock and roots reggae, this track is a feel-good anthem that radiates pure positivity and the joy of living in the moment. Harlem Spirit, a Moss-Side/Manchester-based reggae band, first made waves during the 1980s by blending conscious lyrics with uplifting rhythms. While their exact recording date for “Have a Good Time” isn’t widely documented, this song reflects the same spirit and energy that defined their Jamaican-influenced sound throughout their prime. This track is ideal for chilling, reflecting, or celebrating — whether you’re cruising, chilling with friends, or just need that reggae warmth in your soul. Let its melody carry you, and let its message remind you: life is for good times, love, and unity. 💬 Comment below: What moments or memories do you associate with “having a good time”? 👍 Like, share & follow Rasta Vibration for more rare reggae gems, timeless UK roots, and positive reggae energy!

Artist: Delroy Williams Released: 2018 Genre: Reggae Dive into the profound roots reggae consciousness with Delroy Williams’ evocative track “Scars of War.” This song, reissued on vinyl in 2020, carries a message of spiritual healing, historical pain, and the wounds that linger long after conflict. Delroy Williams — a veteran Jamaican-British singer who rose to fame in the 1960s — uses his smooth, soulful voice to reflect on the emotional and cultural toll of struggle. Delroy Williams' “Scars of War” isn’t just a song; it’s a plea for unity, understanding, and justice. Over a deep, resonant roots riddim, Williams gives us a powerful meditation on the scars we carry — both individually and collectively. Whether you’re a long-time lover of roots reggae or discovering Delroy Williams for the first time, this track is a must-listen: thoughtful, timeless, and deeply resonant. 💬 Comment below: What does “Scars of War” make you feel? How do you relate to its message of healing and memory? 👍 Like, share & follow Rasta Vibration for more roots reggae wisdom, vintage anthems, and music that touches the soul.

Dive into the conscious world of Jah Peter with his timeless roots reggae anthem, “Such Is Life.” Originally released on vinyl, this powerful track was reissued in 2007 and continues to resonate with fans of realness, struggle, and Rastafari wisdom. Discogs +1 In “Such Is Life,” Jah Peter delivers raw and reflective lyrics about the realities of life — the suffering, the resilience, and the faith that keeps the spirit strong. Backed by a deep, spiritual riddim, his voice carries a message of acceptance, perseverance, and the eternal struggle of the everyday man. This song has become a staple for lovers of roots and culture reggae, proving that true reggae is not just music — it’s a way of life, a philosophy, and a testament to human strength in the face of hardship. Whether you’re reasoning with the youth or searching for soul-elevating sound, Such Is Life stands tall as a timeless message. 💬 Let us know in the comments: What line in this song hits you hardest, and how do you interpret “Such Is Life” in your own journey? 👍 Don’t forget to like, share & subscribe to Rasta Vibration for more roots music, old-school vinyl gems, and spiritual reggae vibes!

Artist: D Major Released: 2014 Album: It's Major Genre: Reggae Lyrics Sleepless nights stressfull days Joy and pain with a little heartache It's Major all this things come with love Me and my baby we have our problems But we always work them all To see it Work out, work out, work out And Disagreements we know how to solve them 'Cause that's what loves about yeah That's what loves about, about Even if we fight, it's hard to break up I wanna see your face when I wake up 'Cause genuine love thats what we're made of That's what I found in you babe Even when time gets hard Me and you got the best we've been through the test of time baby We still together Me and my baby we have our problems But we always work them all to see it Work out, work out, work out When Disagreements we know how to solve them 'Cause that's what love's about yeah That's what love's about, about Never knew a love like this a magical Whenever we touch girl and baby girl I can't resist You're all that I need no letting go Always gonna be my baby Though we may disagree yeah I gotta say you are the one So I'm letting you know Even if we fight it, s hard to break up I wanna see your face when I wake up 'Cause genuine love is what we're made of That's why I found in you, babe Even when time gets hard Me and you got the best we've been through the test of time baby Yet we're still together Never knew a love so magical Whenever we touch girl and baby girl I can't resist You're all that I need no lettin go Always gonna be my baby Though we may disagree, yeah I gotta say you are the one So I'm letting you know Feel the warmth, passion, and romantic upliftment of D-Major’s hit track “That’s What Love’s About”, a beautiful reggae love ballad that celebrates loyalty, commitment, and the pure joy of sharing life with that special someone. ❤️💛💚 This song showcases D-Major’s signature smooth vocals, blending classic lovers-rock energy with a modern reggae sound. The rhythm is gentle yet powerful, carrying lyrics that speak straight to the heart — reminding us that love is built on trust, respect, understanding, and genuine affection. The Official Music Video brings the message to life with visuals full of warmth, intimacy, and positive vibration. Whether you’re in love, healing, or simply appreciating good reggae music, this track delivers a soulful reminder of what true love really means. D-Major continues to dominate the reggae scene with feel-good anthems, and “That’s What Love’s About” has quickly become a fan favorite for weddings, dedications, and anyone celebrating real, authentic love. 💬 Drop a comment: What part of the song speaks to you the most? Who would you dedicate this track to? 👍 Like, share & follow Rasta Vibration for more reggae gems, lovers-rock classics, and modern island anthems!

Artist: Bob Marley Album: Chant Down Babylon Genre: Reggae Lyrics Uh, turn your lights down low And pull your window curtain (yeah) Oh, let Jah moon come shining in Into our life again Sayin', "Ooh, it's been a long, long time" (Long, long time) I got this message for you, girl But it seems I was never on time Still, I wanna get through to you, girly On time, on time (word) I want to give you some love I want to give you some good, good lovin' (Uh, uh, uh) Oh I, oh I, oh I Yeah, I want to give you some good, good lovin' (uh) Turn your lights down low (Word, w-word, uh) Never ever try to resist, oh no (Na, na, na) Oh, let your love come shinin' in (Na, na, na) Into our lives again (Na, na, na) Saying ooh, I love you (I love you, I love you) And I want you to know right now (Know right now) Ooh, I love you (Uh-uh, yeah, uh) And I want you to know right now (uh) That I, that I (na, na, na) I wanna give you some love (uh, yeah, I) I wanna give you some good, good lovin' (good, good) Oh I, oh I, oh I I wanna give you some good, good lovin' (yeah uh-uh) Loving you is like a song I replay (loving you is easy 'cause you're beautiful) Every three minutes and thirty seconds of every day (uh, uh) And every chorus was written for us to recite (right) Every beautiful melody of devotion every night This potion might, this ocean might, carry me In a wave of emotion to ask you to marry me And every word, every second, and every third Expresses the happiness more clearly than ever heard (uh) And when I play 'em, every chord is a poem Tellin' the Lord how grateful I am because I know him (what? Word) The harmonies possess a sensation similar to your caress (uh) If you askin' then I'm tellin' you it's yes (yes, yes) Stand in love, take my hand in love, Jah bless (right) I want to give you some good, good lovin' (yeah) Turn your lights down low (right, right now) And pull your window curtain (I said, right, right now) And let Jah love come tumbling in (right, right now) Into our lives again (uh, uh, said, right, right now) Sayin' (sayin' ooh) Ooh, it's been a long, long time (yeah) I got this message for you, boy But it seems I was never on time Still, I wanna get through to you, boy On time (right, right now), on time (said right, right now, uh) I want to give you some love (wha-what, yeah, wha-what?) Oh, how I I want to give you some good, good lovin' (can you hear me?) Oh I, oh I, oh I (uh, uh, yeah, it's like) I want to give you some good, good lovin' (uh) Yeah, it's like You, you, you, you, you (yeah, yeah, yeah) I want to give you some good, good lovin' (good, good) Oh I, oh I (uh, yeah-yeah, right, right now) I wanna give you some good, good lovin' (yo, yo, uh, right right now) I wanna, I wanna, I wanna, I wanna, I wanna Ooh, ooh, ooh, ooh Ooh, ooh yeah What, what, what (feels so good) Please, don't forget passionate Babies in the bassinet You call, we be ready Ha ha, Ma steady (feels so good) Yes, yes Baby love (it feels so) Experience one of the most timeless reggae love songs ever recorded — “Turn Your Lights Down Low” by Bob Marley, reimagined with the soulful voice of Lauryn Hill. This legendary collaboration blends roots reggae warmth with neo-soul elegance, creating a romantic masterpiece that has touched millions worldwide. 💚💛❤️ Originally written and recorded by Bob Marley in 1977 on the classic Exodus album, the song was revived in 1999 when Lauryn Hill added her heartfelt verses for the Grammy-winning project Chant Down Babylon. Her vocals, intimate and poetic, breathe new life into Marley’s love letter, turning it into a cross-generational anthem that unites reggae, soul, and R&B fans. This version of “Turn Your Lights Down Low” is more than a duet — it’s a spiritual connection between two musical giants. Bob Marley’s soothing delivery blends seamlessly with Lauryn Hill’s emotional storytelling, making the track a global symbol of romance, devotion, and intimate expression. With its warm bassline, gentle guitar skank, and mellow groove, this song remains a favorite at weddings, reggae jam sessions, and moments of deep reflection. It’s a reminder of music’s power to heal, to unite, and to speak directly to the heart. ✨ 💬 Tell us in the comments: What’s your favorite line in this classic? Do you prefer the original version or the Lauryn Hill duet? 👍 Like, share, and follow Rasta Vibration for more reggae classics, remixes, tributes, and timeless roots culture uploads.

Israel Vibration stands among the most influential harmony trios in roots reggae history, known for their powerful messages, spiritual grounding, and unwavering commitment to truth and human rights. Their song “Middle East” speaks to the struggles of war, displacement, poverty, empire, and the cry of everyday people caught in the crossfire. This track is a reminder that conflict is not just politics — it is real lives, real families, real pain. Israel Vibration calls on us to wake up, question what we are told, and remember that humanity should come before power. Their music has always carried empathy, unity, and the voice of the sufferers. Whether you’ve followed the trio since Strength of My Life, The Same Song, or Cool and Calm, or you’re discovering them now, “Middle East” remains timeless. Roots reggae is not entertainment alone. It is education, meditation, and a call to conscience. 🎧 Listen mindfully and share your thoughts. 💬 How do you interpret this song’s message today? ✊🏾 Keep roots reggae and world awareness alive.

Writer: VIVIAN AUGUSTUS JONES Composer: VIVIAN AUGUSTUS JONES Artist: Vivian Jones Music Publisher: IMPERIAL HOUSE MUSIC MLYARAS/ WESTBURY MUSIC LTD Country: UK Released: 1992 Genre: Reggae Vivian Jones was one of the true voices of roots reggae consciousness, known for his soothing delivery, spiritual wisdom, and music that always spoke to the heart and soul of the people. “Ethiopian Eyes” is a shining example of his message: identity, pride, African dignity, and the royal lineage of the human spirit. With his recent passing, many around the world are revisiting his catalog and remembering the calm strength and moral guidance his music carried. Vivian Jones never chased fame — he sang for the people, for the heritage of Kush, Zion, Africa, and for the awakening of the mind. This song is a reminder that we are more than what the world tells us. We are connected to a deeper history, a holy ancestry, and a spiritual lineage that cannot be erased. 🎧 Take a moment today to feel the message. 💬 Share your memories of Vivian Jones below. 🕊️ Rest in Power, King Vivian Jones. The music lives forever.

Artists: Max Romeo, Fay Bennett Album: The Coming of Jah: Anthology 1967-76 Released: 2002 Max Romeo is a cornerstone of roots reggae and Rastafari consciousness, known for his revolutionary lyricism, haunting melodies, and unwavering cultural message. “Hole Under Crutches” is a powerful song that speaks straight to the heart of oppression, inequality, and the struggle of the poor and humble. In this track, Max Romeo uses symbolism and poetic imagery to show how society gives false support to the people — propping them up with “crutches” that are already broken. The message is clear: the system pretends to help, but truly keeps people weak and dependent. This is education through rhythm — a call to wake up, rise up, and see through illusion. Whether you’ve followed Max Romeo from “War Ina Babylon,” “Chase the Devil,” and his work with Lee “Scratch” Perry, or you’re discovering him now, this track is a reminder of why roots reggae remains timeless: It teaches, warns, comforts, and reminds us that truth stands strong. 🎧 Turn this up and let the message settle. 💬 Drop your interpretation in the comments — what does this song say to you? ✊🏾 Support real reggae. Subscribe, share, and spread the roots vibration.

#MistyInRoots #JahSeeJahKnow Artist: Misty in Roots Album: Forward Released: 1989 Misty In Roots stands as one of the most powerful voices of the UK roots reggae movement, delivering music filled with spiritual strength, cultural identity, and deep meditation. Their song “Jah See Jah Know” is a timeless reminder that nothing is hidden from the Most High — every action, every intention, every struggle, and every victory is seen and guided. Emerging in the 1970s, Misty In Roots became known not just for their music, but for their message of upliftment and community unity, rooted in the teachings of Rastafari. Their sound is warm, earthy, and meditative, carried by heavy basslines, soulful harmonies, and reasoning lyrics that encourage self-awareness, humility, and righteousness. For those who appreciate Burning Spear, Culture, Twinkle Brothers, The Abyssinians, and Mighty Diamonds, this track is a spiritual journey, not just a listening experience. 🎧 Let the dub echoes and roots heartbeat cleanse your mind. 💬 Comment and share your thoughts: What does this song mean to YOU? ✊ Keep the roots & culture alive by liking, sharing, and following Rasta Vibration.

Artist: The Itals Album: Brutal Out Deh ℗ Ital Music Released on: 2012-05-25 Feel the power of pure roots reggae with “Action” by The Itals, one of Jamaica’s most respected harmony trios. 🇯🇲 This track delivers the true message of Rastafari — calling on the people to rise, take initiative, and live with purpose. The Itals’ unique vocal blend, spiritual lyrics, and deep one-drop riddim make “Action” a timeless anthem of strength, awakening, and self-determination. The Itals emerged during the roots era of the 1970s, a period defined by conscious expression and messages for the upliftment of humanity. Their music continues to inspire listeners around the world to live with faith, discipline, and unity. If you love Burning Spear, Culture, The Gladiators, Mighty Diamonds, and Israel Vibration, The Itals are essential listening — uplifting the spirit with truth, harmony, and righteous energy. 🎧 Turn it up, feel the message, and let the roots vibrations guide your steps. 💬 Comment below: What does this song inspire you to take Action on today? 👍 Like, share & follow Rasta Vibration to keep roots and culture alive!

“Brand New Baby” by Larry Marshall is a true rocksteady and early reggae gem, filled with soulful vocals, vintage rhythm, and that unmistakable Jamaican roots energy. Step into the golden era of Jamaican reggae with Larry Marshall’s timeless hit “Brand New Baby” — a soulful, uplifting tune that perfectly captures the transition from rocksteady to roots reggae. 🎶 Larry Marshall, one of the founding voices of Studio One, helped shape the sound that would later define reggae music across the world. His smooth delivery, catchy melody, and heartfelt lyrics make “Brand New Baby” a track that never fades — it’s pure vintage magic with a message of love, renewal, and joy. This song embodies the essence of early reggae — warm basslines, steady one-drop drums, and soulful harmonies that transport listeners back to Kingston’s golden days. Whether you’re a true reggae collector, a lover of old-school Jamaican sound, or just discovering the classics, “Brand New Baby” is guaranteed to brighten your spirit. 💬 Comment below: What’s your favorite Larry Marshall song or Studio One memory? 👍 Don’t forget to like, share, and subscribe to Rasta Vibration for more rare roots gems, classic reggae hits, and timeless rocksteady anthems. 🎧 Turn up the volume and feel the heartbeat of original Jamaican music — Larry Marshall style!

Artist: Bunny Wailer Album: Liberation Released: 1989 Experience the powerful voice of Bunny Wailer, the last surviving member of The Wailers, with his timeless anthem “Liberation.” 🇯🇲 A true masterpiece of roots reggae and Rastafari spirituality, “Liberation” delivers messages of freedom, unity, and resistance against oppression — echoing the struggles and hopes of generations. Bunny Wailer’s words carry deep consciousness and spiritual power, reminding us that true liberation begins within. 💫 This track captures the essence of what reggae is all about — truth, strength, and positive vibration. Press play and feel the heartbeat of Africa and Jamaica unite in sound and spirit. 💬 Comment below: What does “Liberation” mean to you? 👍 Like, share, and follow Rasta Vibration for more roots and culture reggae classics!

Artist: Eek-A-Mouse Album: Wa-Do-Dem Released: 1981 Genre: Reggae Composer: Eek-A-Mouse Writer: Henry Lawes Writer: Ripton Joseph Hylton Light up the vibes and step into the golden era of roots reggae with Eek-A-Mouse’s timeless hit “Ganja Smuggling.” 🌿🔥 Released in the early 1980s, this track became an underground reggae classic, blending humor, storytelling, and reality in Eek-A-Mouse’s signature “sing-jay” style. “Ganja Smuggling” captures the struggles and street smarts of a youth hustling through Jamaica’s system — all told over a deep, heavy one-drop riddim that defined the roots movement. 🎶 This [LYRICS] version lets you feel every line, every patois phrase, and every ounce of rebel spirit that made Eek-A-Mouse a legend. 💬 Comment below: What’s your favorite Eek-A-Mouse tune of all time? 👍 Like, share & follow to keep the roots and culture alive on Rumble!

Artist: UB40 Released: 1989 Album: Labour of Love II Genre: Reggae Lyrics Stick by me and I'll stick by you Stick by me and I'll stick by you My life here on earth would be useless can't you see If I didn't have you to stick by me I love you darling, and that's no lie Stick by me and I'll stick by you When you cry, I cry too Stick by me and I'll stick by you Friends may try to hurt us Scandalise our name But no one (no-one) can tear us apart You have a place in my heart I love you darling, and that's no lie Stick by me and I'll stick by you Remember, my heart, my love belongs to you Stick by me, and I'll stick by you When you cry, I'll cry too Stick by me and I'll stick by you Friends may try to hurt us Scandalise our name But no one (no-one) can tear us apart You got a place in my heart I love you darling, and that's no lie Stick by me and I'll stick by you Remember my heart, my love belongs to you Stick by me and I'll stick by you When you cry, I'll cry too Stick by me and I'll stick by you Feel the love and roots vibration with UB40’s beautiful rendition of “Stick By Me” — a heartfelt reggae classic originally sung by John Holt. 💚💛❤️ UB40 brings their signature smooth style and soulful harmonies to this timeless love song about devotion, trust, and unity. The track blends romantic lyrics with that signature roots reggae rhythm — creating a vibe that’s both nostalgic and uplifting. As one of the most iconic reggae bands to emerge from the UK, UB40 continues to carry the legacy of classic Jamaican music to audiences worldwide. 🎧 Press play and let this rootsy love anthem take you back. 💬 Comment below: Which UB40 song brings back your best memories? 🔥 Like, share & follow for more timeless reggae classics and lovers rock vibes! #UB40 #StickByMe #UB40StickByMe #ReggaeClassics #LoversRock #RootsReggae #ClassicReggae #ReggaeLoveSong #JohnHolt #UB40Fans #UKReggae #ReggaeVibes #ReggaeCulture #ReggaeLegends #JamaicanMusic #PositiveVibration #ReggaeNation #ReggaeLife #ReggaeCommunity #OneLove #RootsAndCulture #RealReggae #ReggaeHits #RomanticReggae #ReggaeForThePeople #CaribbeanVibes #RumbleMusic #StayConscious #IrieVibes #ReggaeLovers

DOWNLOAD LINK:https://hearthis.at/deejaybunduki/dj-... BEST OF LUCKY DUBE LIVE MIXX Celebrate the timeless voice of Lucky Dube with this 2023 DJ Bunduki Roots Mix, featuring some of his most powerful and emotional hits — "Reggae Strong," “Prisoner,” “Slave,” “Trinity,” “Mama,” “Crazy World,” and many more. 💚💛❤️ Lucky Dube’s music carries messages of freedom, justice, and unity that continue to inspire the world. This mix blends his best classics into one powerful session — perfect for reggae lovers, African roots fans, and all who believe in the power of truth through music. 🎧 Mixed by DJ Bunduki, this set brings you positive energy, deep messages, and that unmistakable Lucky Dube passion. 💬 Comment below: Which Lucky Dube song speaks to your soul? 🔥 Press play, share the vibes, and spread the message — One Love, One People. #LuckyDube #DJBunduki #LuckyDubeMix #BestOfLuckyDube #LuckyDube2023 #RootsReggae #AfricanReggae #ReggaeLegends #ReggaeVibes #ReggaeHits #ReggaeMix #SouthAfricanMusic #ReggaeCulture #ConsciousReggae #PositiveVibration #OneLove #FreedomSongs #RastaVibes #RootsAndCulture #ReggaeForThePeople #RealReggae #ReggaeCommunity #ReggaeLife #ReggaeNation #RumbleMusic #ClassicReggae #ReggaeLovers #SpiritualReggae #StayConscious #UnityThroughMusic

Album: Cry Blood Artist: Charlie Chaplin Released: 1991 Feel the fire of truth and righteousness through “Cry Blood” by Charlie Chaplin — a powerful reggae anthem that speaks against oppression, injustice, and the suffering of the people. 💔✊🏾 Known for his sharp lyrics and conscious delivery, Charlie Chaplin uses this song to call out Babylon’s system, uplift the downtrodden, and remind the world that Jah’s judgment is real. With its haunting riddim and message of awakening, “Cry Blood” stands as one of the most striking examples of roots and dancehall unity. 🎧 Tune in and listen to the voice of the streets and the spirit of Jah. 💬 Share your thoughts: What message do you take from Cry Blood today? 💚💛❤️ Reggae is more than music — it’s truth in rhythm. #CharlieChaplin #CryBlood #RootsReggae #ConsciousReggae #DancehallRoots #RastaVibes #ReggaeCulture #JamaicanMusic #TruthAndRights #ReggaeLegends #ReggaeMessage #PositiveVibration #RealReggae #ConsciousMusic #RumbleMusic #RastaPower #OneLove #ReggaeLife #ReggaeHits #ReggaeCommunity #RootsAndCulture #RebelMusic #ReggaeNation #SpiritualReggae #ClassicReggae #ReggaeForThePeople #ReggaeVibes #StayConscious #IrieVibes #CaribbeanVibes

Artist: Richie Spice Album: The Biggest Reggae One-Drop Anthems 2005 Released: 2005 Experience the truth and power of roots reggae through “Operation Kingfish” by Richie Spice — a conscious anthem that shines light on corruption, street struggles, and the fight for justice in Jamaica and beyond. 🇯🇲 Richie Spice delivers a deep message with his signature soulful tone, calling out the system’s hypocrisy and reminding the people to stay vigilant, strong, and rooted in Jah’s guidance. The track blends powerful lyrics with a militant roots riddim — proof that reggae remains the people’s voice. 🎧 Listen. Reflect. Stay conscious. 💬 Drop a comment: What message do you take from this song? Spread the roots, share the truth — Operation Kingfish is real reggae with a purpose. 💚💛❤️ #RichieSpice #OperationKingfish #RootsReggae #ConsciousReggae #ReggaeCulture #JamaicanMusic #RastaVibes #ReggaeLegends #ReggaeForThePeople #PositiveVibration #ReggaeNation #RealReggae #OneLove #RootsAndCulture #RumbleMusic #ReggaeCommunity #SpiritualReggae #TruthAndRights #ReggaeConsciousness #RebelMusic #JahMusic #RastaPower #Upliftment #CaribbeanVibes #ReggaeLovers #ReggaeHits #ReggaeLife #RootsMusic #IrieVibes #StayConscious

Artist: Tony Tuff Album: Reggae Hits, Vol. 1 Label: Kaya Records (2) – KAYA 003 Released: 1984 Genre: Reggae Style: Dancehall, Dub

Step into the conscious roots of reggae with “I Know Myself” by Ernest Wilson — a timeless track that celebrates identity, self-respect, and inner strength. Known for his smooth voice and powerful lyrics, Ernest Wilson delivers a message that still resonates today: know who you are, and stand firm in truth. This roots reggae classic blends deep basslines, heartfelt vocals, and uplifting spiritual energy — reminding us of reggae’s power to inspire consciousness and pride. 🎶 Let the rhythm guide your soul and the message lift your spirit. 💚💛❤️ Stay true, stay strong — know yourself. Like, share, and follow for more roots reggae reactions, artist breakdowns, and conscious vibes from Jamaica to the world! 🌍💚💛❤️

Feel the power of real roots reggae with “Right Time” by The Mighty Diamonds — a timeless anthem of truth, unity, and Rastafari consciousness. Released in the golden era of 1970s reggae, this song stands as one of the group’s most inspiring and revolutionary works. The Mighty Diamonds blend harmony, message, and rhythm to perfection — spreading wisdom, love, and social awareness through their music. Whether you’re a lifelong reggae fan or discovering roots music for the first time, “Right Time” will move your spirit and remind you of reggae’s deep cultural roots. 🎧 Tune in, feel the vibes, and share the positive energy. ✊🏾 Rastafari Lives — It’s the Right Time! Right Time · Mighty Diamonds Right Time ℗ Free World Music Released on: 1976-11-16 Composer: Lloyd Ferguson Lyricist: Fitzroy Simpson Composer: Donald Shaw Music Publisher: PRS Music Publisher: Keep On Kicking Music Limited (PRS) #Mighty Diamonds #Right Time #Roots Reggae

Artist: Culture Album: International Herb Released: 1979 Joseph Hill - Lead Vocals and Percussion Albert Walker - Vocals Ire'Lano Malomo - Vocals PERFORMED BY DUB MYSTIC Dean 'Digital' Pond - Drums Anthony 'Lion' Arthur - Bass Ricky 'Swann' Richardson - Guitars Noel 'Barry' Aikens - Keyboards ALSO FEATURING Dean Fraser - Sax Chico - Trumpet Nambo - Trombone Vin Gordon - Trombone Harry T - Percussion Tony 'Asher' Brisset - Keyboards Recorded at Mixing Lab, Kingston, JA Engineered by Fathead Mixed at Lion & Fox by Jim Fox Lyrics I tried and I tried and I tried and I tried To make them understand I tried and I tried and I tried and I tried But they just can't understand I tried and I tried and the Lord know I tried To make them understand I tried, oh tried how I tried But they just can't understand The more victimization is up on their back The more foolish they becomes The more victimization is up on their back They satisfy Lord for less I tried, oh Jah how I tired But they just can't understand I tried and I tried and I tried and I tried But they just can't understand Poor God, people When will they ever learn? This one turn them fool, that one turn them fool So what are they waiting for Fix up yourself and prepare to meet Jah That will satisfy Lord for more I tried, oh Jah how I tried But they just can't understand I tried and I tried and I tried and I tried But they just can't understand Father die in pain, Mother die in pain Slavery continue They say we have no right no where In no corner of the world And I tried to make them notice But they just can't understand I tried and I tried and I tried to make them know But they just can't understand Twenty-four hours make one day, they told us Seven days make a week And out of all that they hold 365 days They can only name you seven days I tried, I tried and I tried But they just can't understand I tried and I tried and I tried and I tried But they just can't understand We beat drums at night, we beat drums by day They take no heed The church bell a-ring and the children a-sing And them still satisfy Lord for less I tried and I tried But they just can't understand I tried and I tried and I tried and I tried But they still can't understand Son is waiting at condemned cell for his sentence You know Father in the field can't find nothing And mother nah no money I tried, I tried and I tried But they just can't understand I tried and I tried and I tried and I tried But they just can't understand My Daddy was sure, my Mommy was poor Ain't got no money Still no bother me, all I need to see Is love and unity

Artists: Max Romeo $ The Upsetters Album: War Ina Babylon Released: 1976-01-01 Genre: Reggae Engineer, Producer, Studio Personnel, Composer, Lyricist: Lee "Scratch" Perry Composer Lyricist: Max Romeo

#reggaemix2025 #loversrockreggae #rootsreggae #reggae #reggaemix2025 #mix #rootsandculture #rootsreggae #foundationreggae #alutacontinua #loversrockreggae #trendingreggaemix #thebag #bobmarley #bereshammond #culture #ericdonaldson #gregoryisaacs #bunnywailer #delroywilson #ruddythomas #reggaemix #reggaevibes Here is another Mix...Listen Tracklist included in the Video Please subscribe, like, comment, and share my channel. Thank you Link To a New Mix on YouTube Is Here: ROOTS REGGAE MIX …TIGHT TUNES…LISTEN!! ONE LOVE!! I do not own the music. All rights are reserved by their respective owners. If any party involved with the bands/artists/mix has any issues with this upload, please send me a message, and I will delete it.

Reggae Mix 2025 🌈 Top 100 Reggae Songs All Time © Follow Nabi Music ON YouTube: @nabimusic8899 ❤: Please Share this Mix on Social sites (Facebook, Google +, Twitter etc.) to more people could listen it! Don't forget to Like & Share the mix if you enjoy it! 🔔: Thanks for watching! Don't forget to SUBSCRIBE, LIKE & SHARE my video if you enjoy it! Have a nice day!! ❤ I do not own the music. All rights are reserved by their respective owners. If any party involved with the bands/artists/mix has any issues with this upload, please send me a message, and I will delete it.

“Chariot of Love” is a roots‑reggae single by Ijahman Levi (born Trevor Augustus Sutherland), originally released in 1977 on the UK label Organisation (run by producer Dennis Harris). Album: Ijahman & Madge Label: Organisation – ON 001 Country: UK Released: 1977 Genre: Reggae Style: Roots Reggae, Dub Produced by Ijahman Levy Executive producer T. Sutherland Published by Tree Roots Music *** Uploaded only for your musical pleasure. I will get no profit from this, and every credit goes to the composer/producer of the song. If you think I should remove this video, just keep in touch with me, and I will remove it immediately.

“The Gambler” was originally written by Don Schlitz in 1976. The song became famous after Kenny Rogers made his version in 1978, which turned it into a huge country crossover hit. The song uses the metaphor of gambling (cards, “holding ‘em,” “folding,” etc.) to give advice about life. Some key themes: Knowing when to take risks versus when to get out of a situation. Recognizing that life has ups and downs — sometimes you win, sometimes you lose. Accepting uncertainty and having the wisdom to make decisions under pressure. Realizing that you can’t always plan when to count your wins — there is a time for reflection, a time for action. Artist: Busy Signal Album: Reggae's Gone Country Released: 2011 Genre: Reggae

Artist: Sharon Little Album: Don't Mash Up Creation Label: 1 Love Records Country: UK Released: 1981 Genre: Reggae Style: Roots Reggae, Dub

I.M.F. - Laro Album: The Best of Laro Genre: Reggae Style: Reggae, Calypso, Soca ℗ 1996 K&K Records Released on: 1996-03-27 Composer: Laro Music Publisher: K&K Music

The Plan is a song by Stoneface Priest to ensure that he uses this genre of reggae music at all times to help educate, save, deliver, uplift, or even spark social commentary. The Plan · Stoneface Priest The Plan ℗ Stoneface Priest Released on: 2021-10-05 Composer: Charles Majau Facebook: stonefacepriest1 Instagram: stonefacepriest

“The Land We Belong” is a heartfelt reggae song penned by Joseph Hill, lead singer of Culture. The lyrics paint a vivid spiritual and historical picture: they evoke the trauma of enslavement, with imagery of being “brought here in captivity… bound in link and chains,” and a plea for liberation through divine intervention—“Amasa Gana please set us free.” At its core, the song expresses a longing to return to the ancestral homeland, a recurring theme in Rastafarian consciousness and roots reggae ethos. “The Land We Belong” is more than a song—it’s a spiritual yearning. It reflects the collective memory of displacement due to the slave trade and serves as a call for divine release and repatriation. Rooted in Rosa’s religious worldview, it's also a powerful expression of heritage, resistance, and hope. Joseph Hill’s soulful writing and Culture’s profound vocal delivery enshrine this track within the pantheon of conscious roots reggae. Artist: Culture Released: 1979 Album: International Herb

“Power and Glory” appears as track 9 on the Equality album, which the Wailing Souls self-released on the MusicBlitz label (reissued by Jahmin’) The album continued their longstanding tradition of blending roots reggae with socially conscious lyrics and harmonies—a hallmark of their career Album: Equality Label: Reggae Blitz Country: US Released: 2000 Genre: Reggae

Bodyguard · Steel Pulse Album: Earth Crisis Label: ℗ 1984 Elektra/Asylum Records Country: Europe Released: 1984 Genre: Reggae Style: Reggae Record Company – Warner Communications Inc. Phonographic Copyright ℗ – Elektra/Asylum Records Manufactured By – Record Service Alsdorf Copyright © – Elektra/Asylum Records Copyright © – Pulse Music Ltd. Pressed By – Record Service Alsdorf Recorded At – Horizon Studios, Coventry Recorded At – Jacobs Studios Remixed At – Soundworks, New York Mastered At – Sterling Sound Lacquer Cut At – Tonstudio Pfanz Percussion: Alphonso Martin Guitar, Vocals: David Hinds Producer: Jimmy Haynes Bass Guitar: Ronald McQueen Keyboards, Vocals: Selwyn Brown Producer: Steel Pulse Percussion: Stevie Nesbitt Writer: David Hinds

Big Youth . Weatherman Album: A Luta Continua Label: Heartbeat Records Country: US Released: 1985 Genre: Reggae Style: Roots Reggae Engineer – Bunny Tom Tom, Noel Hearne Producer – Herbie Miller

Song: Phangs of Hell Released: 2004 Album: Day of Harvest Country: Brazil Genre: Reggae Style: Roots Reggae

Best of Don Carlos Hits Best of Don Carlos Hits Best of Don Carlos Hits

Lyrics Puff she puff no bother puff Pon Rasta Tough she tough no bother Puff pon Rasta Puff she puff No bother puff pon Rasta Makinq love on hungry belly I couldn't cope too long With my bare long hands I am embarrassed most the time But it's not no crime Children crying day and night Can't find mummy A puff she puff no bother Puff pon Rasta she puff she puff She just a puff pon Rasta She say rude Tough she tough hard she hard A no soft she soft Puff she puff She just a puff pon Rasta Anough she nough you Kinna nough pon Rasta Money I Can hardly find And white scrawl a bite Simple things are so serious In these time The things that you do and Upset some day and regret Tough tough tough she tough A puff she puff No bothcr puff pon Rasta Puffy puff Claim she tough She just a puff she just a Puff pon Rasta Many a times when I check My life style A been a living in another Foot step of another man I no man man a fallure She just a puff She just a puff pon Rasta She puffy puff She claims she tough she Just a Chuck No bother chuck pon Rasta Man find himself doing all Manner of evil I and I a ion's So no bother come gwaan Bout you tough A nuff you nuff

Label: Island Records – 210 917, Mango – 210 917 Format: Vinyl, LP, Album Country: Germany Released: 1990 Genre: Reggae Style: Roots Reggae Distributed By – BMG Records Distributed By – BMG Ariola Printed By – TOPAC Recorded At – Tuff Gong Recording Studio Mixed At – Sigma Sound Studios, New York Mastered At – Masterdisk Phonographic Copyright ℗ – Island Records Inc. Copyright © – Island Records Inc. Bass Guitar – Paul Beckford Design [Cover Design] – Mo Ström Drums, Other [D Drums] – Nelson Miller Engineer [Assistant Mixes] – Danny Mormando Engineer [Assistant Records] – Garth* Engineer [Mixes & Records] – Mervyn Williams Engineer [Mixes] – Michel Sauvage Engineer [Records] – Gary Sutherland, Tony Kelly Executive-Producer – Burning Music Productions* Illustration – Hugh Dennis Lead Guitar, Piano, Flute – Lenford Richards* Mastered By – Tony Dawsey Percussion – Alvin Haughton Performer [Additional Musician Of Rass Brass], Saxophone – Dean Fraser Performer [Additional Musician Of Rass Brass], Trombone – Ronald Robinson* Performer [Additional Musician Of Rass Brass], Trumpet – Chico Chin* Performer [Additional Musician], Synthesizer, Piano – Robbie Lyn Photography By – Deborah Feingold Producer – Nelson Miller Rhythm Guitar – Linvall Jarrett* Written-By, Producer, Vocals, Drums [Repeater Drum], Bass Drum – Winston Rodney

Stepping Razor, from Peter Tosh's second studio album Equal Rights, originally released in 1977. About Equal Rights: Equal Rights brought together Peter Tosh's dedications to the revolutionary movements growing in Africa, and the mysticism and wonders of his personal growth as a prophet, poet, preacher and world-class musical trailblazer. The album included a number of songs that became human rights anthems over the next two decades: Get Up, Stand Up, Downpressor Man, African, Apartheid, and the title tune. Album: Equal Rights/ Honorary Citizen Genre: Reggae Style: Roots Reggae, Dub Steppin' Razor · Peter Tosh ℗ 1977 Sony Music Entertainment Inc. Released on: 1996-10-15 Composer, Lyricist: J. Higgs Guitar: Abdul Wali Guitar: Al Anderson Drums: Carlton Davis Drums: Sly "Drumbar" Keyboards: Earl Lindo Bass: Robbie Basspeare

Artist: Israel Vibration Album: Strength of My Life Genre: Reggae Style: Roots Reggae, Dub ℗ 1988 Real Authentic Sound Inc. under exclusive license to Sanctuary Records Group Ltd., a BMG Company Released on: 1981-01-01 Producer: Israel Vibration Producer: Doctor Dread Sound Engineer: Jim Fox Bass: Errol "Flabba" Holt Piano: Earl Fitzsimons Lead Guitar: Dwight Pinkney Rhythm Guitar: Bingi Bunny Drums: Style Scott Synthesizer: Sticky Organ: Mallory Williams Horns: Brass Tax Author, Composer: Albert Craig

Artist: Lucky Dube Album: Slave Label: Gallo Country: South Africa Released: 1987 Genre: Reggae Style: Roots Reggae Recorded At – Powerhouse Studios (2) Marketed By – Gallo Record Company Distributed By – Gallo Record Company Arranged By – Lucky Dube Bass – Joe Sinoamadi Drums – Pat Nkutha Engineer – Dave Segal* Guitar – Chris Nkata, Thulani Zuma Keyboards – Thuthukani Cele, Tony Makukulu Producer, Arranged By – Richard Siluma Sleeve – TERI Z

Artist: Glen Washington Album: Can't You See Label: Charm – KPCRCD2105 Series: Killer Price Format: CD, Album, Reissue Country: UK Released: 2000 Genre: Reggae Style: Roots Reggae, Lovers Rock Record Company – Jet Star Recorded At – HC&F Studio Mixed At – HC&F Studio Recorded At – Sir Tommy's Studio Mixed At – Hound Sound Manufactured By – Jet Star Phonographics Ltd. Distributed By – Jet Star Phonographics Ltd. Backing Vocals – Anvil Meditation*, Glen Washington, J.D. Smoothe, Tanya Taylor Engineer [Recorded & Voiced At: Sir Tommy's Studio] – Donovan*, Jah Life, Tommy* Engineer [Recorded And Mixed At : H C & F Studio] – Jah Life, Mikey*, P. Smart* Mixed By [Mixed At: Hound Sound Studio] – (Scientist) Hopeton Brown* Musician [Players] – Beeper Man, Dean Fraser, Firehouse Crew, Joe Sansaverino, Raff*, Jr. Jazz*, Michael*, Noel*, Style Scott, Val Douglas Other [Players] – Antonette Producer – H. Wright*

Winston Rodney OD, better known by the stage name Burning Spear, is a Jamaican roots reggae singer-songwriter, vocalist, and musician. Burning Spear is a Rastafarian and one of the most influential and long-standing roots artists to emerge from the 1970s Burning Spear, a pioneer of roots reggae, has been spreading messages of unity and self-determination for over six decades. Discovered by Bob Marley, he shaped the genre with classic albums and a signature sound blending reggae, jazz, and funk.

Mr Sun - Original · Don Carlos Lazer Beam ℗ 2006 Charly Records Released on: 2006-04-14 Country: Jamaica Genre: Reggae Style: Reggae

Appointment With His Majesty is a studio album by the Jamaican reggae singer Burning Spear. It was nominated for a Grammy Award for Best Reggae Album at the 40th Grammy Awards, in 1998. The album peaked at No. 10 on Billboard's Reggae Albums chart. Album: Appointment With His Majesty Label: Jahmin' Records – JAHCD 2 Format: CD, Album Country: France Released: 1997 Genre: Reggae Style: Roots Reggae Backing Vocals – Carol Passion*, Edna Rodney, Lyn (4), Num Heru-ur Shutef Amon Tehu*, Rachell Bradshaw*, Sharon Gordon, Winston Rodney, Yvonne Patrick Bass [Additional] – Collin Elliot, Trevor McKenzie Congas, Percussion – Winston Rodney Design – Jean-Pierre LeGuillou Drums – Nelson Miller Drums [Additional] – Tony Williams* Engineer [Assistant] – Bobby Hawthorne Executive Producer – Sonia Rodney Keyboards – Barry O'Hare, Steven Stewart* Keyboards [Additional] – Robbie Lyn Lead Guitar – Rupert Bent Mastered By – Dr. Toby Mountain* Mixed By – Barry O'Hare Percussion – Num* Photography By – Dana Siles Rhythm Guitar – Lenval Jarrett* Saxophone – Howard Messam Trombone – Nambo Robinson* Trumpet – James Smith (12) Written-By, Arranged By, Mixed By – Winston Rodney

I Am That I Am · Peter Tosh Equal Rights (Legacy Edition) ℗ 1977 Columbia Records, a division of Sony Music Entertainment Released on: 2011-06-17 Background Vocal: Bunny Waller Guitar: Al Anderson Guitar: Karl Pitterson Guitar: Abdul Wall Percussion: Skully Drums: Sly Dunbar Drums: Carlie Barrett Keyboards: Earl Lindo Keyboards: Tyrone Downie Bass: Robbie Shakespeare Tenor Saxophone: Dirty Harry Trumpet: Bobby Ellis Executive Producer: Pauline Morris Reissue Producer: Bruce Dickinson Mastering Engineer: Chris Athens Released: 1977 Album: Artist: Peter Tosh Genres:

World-a-Reggae · iNi KAMOZE Album: Ini Kamoze Label: ℗ 1984 TAXI Format: Vinyl, 7", 45 RPM Country: Jamaica Released: 1983 Genre: Reggae Style: Roots Reggae Distributed By – Sonic Sounds Mastered At – Dynamic Sounds Recording Co. Ltd. Producer – Sly & Robbie

Album: One Stone Artist: Culture Released: 1996 Reggae Anthology: Natty Dread Taking Over

Jah Alone A Christian · Culture Album: Lion Rock ℗ 1988 Rounder Records, a division of Concord Music Group, Inc. Released on: 1982-01-01 Genre: Reggae Style: Roots Reggae Vocals, Recording Producer, Producer, Associated Performer, Background Vocalist: Joseph Hill Studio Personnel, Recording Engineer: Christopher Daley Associated Performer: Freddie Fatstring Background Vocalist, Associated Performer: Jah Privie Associated Performer, Electric Bass: Sezz Walker Drums, Associated Performer: Lewis Daley Keyboards, Associated Performer, Background Vocalist: Vin Morgan Associated Performer: Evrol Gayle Associated Performer: Sparrow Associated Performer: L.A. Green Producer, Executive Producer: Peter Bell Composer Lyricist: Joseph Hill

Album: Beres Hammond Released: 1986 Artist: Beres Hammond Genre: Reggae Irie And Mello ℗ WKS Records

Dancing Shoes · Bunny Wailer Bunny Wailer Sings The Wailers ℗ 1981 Universal Island Records Ltd. A Universal Music Company. Released on: 1980-10-13 Producer: Bunny Wailer Composer Lyricist: Neville O'Riley Livingston Country: UK Genre: Reggae Style: Roots Reggae, Dub Lyrics Who's gonna dance with me tonight We're gonna dance till our legs feel kind of tired But we won't care 'cause we've got the blues We've got a lot of rocking to do We're putting on our dancing shoes We're going skanking all night long Just as long as they play our song And this ya sound we can't refuse We've got a lot of rocking to do We're putting on our dancing shoes You'll never love another song like this It fills your soul And this ya sound, you can't resist It's got you in a hold Never in this world will ever be so much love As between you and me my love 'Cause we ain't got no time to lose We've got a lot of loving to do We're putting on our dancing shoes We're going skanking all night long Just as long as they play our song And this ya sound you can't refuse We've got a lot of rocking to do Putting on our dancing shoes Who's gonna dance with me tonight We're gonna dance till our legs feel kind of tired Published By – Solomonic Music Phonographic Copyright ℗ – Island Records Inc. Producer – Bunny Wailer Written-By – N. Livingstone*

For Joseph,Respect.Written,produced and arranged by Joseph HILL. Joseph Hill, vocals and percussion Albert Walker, vocals Ire'land Malomo, vocals Performed by Dub Mystic Dean 'Digital' Pond, drums Anthony 'Lion' Arthur, bass Ricky 'Swann' Richardson, guitars Noel 'Barry' Aikens, keyboards Also featuring Dean Fraser, sax Chico, trumpet Nambo Robinson, trombone Vin Gordon, trombone Harry T, percussion Tony 'Asher' Brisset, keyboards Recorded at Mixing Lab, Kingston, Jamaica Engineered by Fathead Mixed at Lion and Fox Studio, Washington, D.C. Engineered by Jim Fox ONE STONE Hold not Thy peace oh God of my salvation Because the mouth of the wicked and deceitful is open Rastaman throw one big stone And it brings a bad feeling to all wicked men Natty man throw one stone And it bring a bad feeling to all wicked men Only when man like Marcus Garvey speak Wicked men would ah hear Instead of that they only sit and and rob and cheat And oppress the poor Nyabinghi throw one stone And it bring a bad feeling to all wicked men Binghiman throw one stone And it bring a bad feeling to all wicked men If Rasta make a progressive move Wicked men a red eye All they want to see The days when they can send out Rasta Can't bend I out, I send out Babylon Binghiman throw one stone And it bring a bad feeling to all wicked men Things change, the table is turned And you'll have to live, and live and learn President Mandela was in prison For twenty add years And he leave from the prison And take the seat of the president Stone one Binghiman we throw one stone And it bring a bad feeling in a Africa Binghiman we throw one stone And it bring a bad feeling in a European land He have eyes to see let them see He who have ears to hear, let them hear What the prophet of the land say Truthful, one throw one stone And it bring a bad feeling to all wicked man

Artista: Hugh Griffiths Música: Memories Of You Selo: Techniques Formato: Vinyl, 12" País: Jamaica Lançado: Aprox: 1980 Gênero: Reggae Estilo: Roots Reggae

LYRICS: Rope in Come on and tune in I said you ride in 'Cause this here session is vital Check scene Come on and ride in I said you bide in 'Cause this ya riddim is I-tal And it's a cool runnings I know dancehall a go nice Tell you it's a cool runnings De riddim a go drip like sugar and spice Say now, cool runnings Jus' rock with your deeta all night long I say now, cool runnings While the disk jockey play your fav'right song Hey now, rope in Come on and tune in I said you riding 'Cause this riddim is vital Check scene Come on and groom(?) in I said you ride in 'Cause this ya session invital And it's a cool runnings We all a go rock 'til broad day light Singin' cool runnings Me I-dren we nuh need no fuss nor fight I say now, cool runnings Say long, long time we nuh have no nice time Yeah, cool runnings Says rock to the riddim and the drum and bassline Yeah, yeah Rope in Come on and tune in I said you Ride in 'Cause this session is vital And it's a cool runnings I know dancehall a go nice Tell you it's a cool runnings De riddim a go drip like sugar and spice Say now, cool runnings Jus' rock with your deeta all night long I say now, cool runnings While the disk jockey play your fav'right song Say now, cool runnings People spreading joy all over de place I say now, cool runnings With a smile upon the promotor's face I say now, cool runnings It's dawnin' of day at the gates I say now, cool runnings The gate man is beckoning "don't be late" I say now, cool runnings I know dancehall a go nice...... Artist: Bunny Wailer Album: Rock 'n' Groove Label: Solomonic – none Format: Vinyl, 12", 45 RPM Country: Jamaica Released: 1981 Genre: Reggae Style: Roots Reggae, Dub Distributed By – Solomonic Distributors Published By – Solomonic Music Lacquer Cut At – Dynamic Sounds Recording Co. Ltd. CREDITS: Lacquer Cut By – D.T.* Written-By – B. Wailer*

IDENTITY So they want I to change my identity Musically, musically, musically So they want I to change my identity Musically, musically, musically This ya music race Commercial race Political race This ya music race Commercial race Political race So they want I to change my identity Musically, musically, musically So they want I to change my identity Musically, musically, musically My identity, my identity, Jah work must be done Jah work must be done Jah work must be done Jah work must be done Work in the East Work in the West Work in the North Work in the South Work over there We work over here Work everywhere Work over there We work over here We work everywhere So they want I to change my identity Musically, musically, musically So they want I to change my identity Musically, musically, musically My identity, my identity, Who will stand up for the people musically, musically, musically Who will stand up for the people musically, musically, musically So they want I to change my identity Musically, musically, musically My identity, my identity, Musically, musically, musically The people is for the music The music is for the people, musically, musically, musically So they want I to change my identity, musically, musically, musically (x 2) Winston Rodney - vocals, percussions Burning Band Nelson Miller - drums Paul Beckford - bass Lendford Richards - lead guitar, Casio PG 380 Sha Yar - rhythm guitar Alvin Haughton - percussion Additional musicians Robbie Lyn - keyboards Rass Brass Nambo Robinson - trombone Chico Chin - trumpet Dean Fraser - saxes Burning Brass Charles Dickey - trombone James Smith - trumpet Mark Wilson - saxophone Harmony Sharon Forrester, Pam Hall and Marie "Twiggi" Gittens Executive Producer: Burning Music Production. Produced by Winston Rodney & Nelson Miller. Recorded at Grove Recording Studio, White River, Ocho Rios. Recording engineer: Barry O'Hare. Mixed by Michael Sauvage. Mixed at Platinum Island Studio, New York. Mastered at Northeast Digital by Toby Mountain. Song written by Winston Rodney & Published by Burning Spear Pub.

Released: 1985 Album: Private Beach Party Artist: Gregory Isaacs Genre: Reggae

Artist: Bunny Wailer Album: Liberation Label: Solomonic – SM7-026 Format: Vinyl, 7", 45 RPM Country: Jamaica Released: 1989 Genre: Reggae Style: Reggae, Dub Distributed By – Sonic Sounds – 61204 Distributed By – Sonic Sounds – 62036 Published By – Solomonic Music Ltd. Mastered At – KK Mastering Labs, Inc Written-By – N.O. Livingston

Artist: Israel Vibration Album: Stamina Label: Mediacom – MED0107 Format: CD, Album Country: France Released: 2007 Genre: Reggae Style: Roots Reggae [LYRICS] Skiro bio deepy eyes I do like the rasta faith Yegose within athena Mentnia no bug a boon, the most confered Licky licky lover lover susu susu Them a back staba Licky licky lover lover susu susu Them a back staba A pot, bigger than your dad Bob, come on Bigger wake your moth, like a tuesday's on the path Bigger than your dad Bob, hey yeah A natty dread went to crap your code Said, not as sticky ship When go 'round the whole world Then when no I run no more Then when the pidgeons can't go Living the life, you see Almost releasely One love is so holy holy righteous Holy righteous, you see Seeking special favors From his majesty They stabbed you in the back And then you see he was looking They stabbed you in the back And no want to know if it was good kid Put on your holy holy bless Gonna church by sundays What do we need it working Working from mondays Farm center must wait down Down to waste my line I hit you, you hit I They hit us each other Into hurry binny bun Tell me someway Every little thing you go cheminy Could be a man, check Could be a man Every little thing you Can check, can check, can check Check this could be a man Littlely littlely littlely dumpties Wretched upon the wall Like hell empty bottles, you know They also stumble and fall Licky licky lover lover susu susu Them a back staba Licky licky lover lover susu susu Them a back staba A pot, bigger than your dad Bob, come on Bigger wake your moth, with a tuesday on the path Bigger than your dad Bob, hey yeah The natty dread went to crap your code Said, not as sticky ship When go 'round the whole world Then when no I run no more Then when the pidgeons can't go Living the life, you see Almost releasely One love is so holy holy righteous Holy righteous, you see

Artist: Mighty Diamonds Album: The Real Enemy Label: Greensleeves Records – GREL CD 102 Format: CD, Album Country: UK Released: 1987 Genre: Reggae Style: Dancehall Backing Vocals – Carlton Hines*, Davey Harvey*, Dean Fraser, J.C. Lodge*, Paul Mangaroo Bass – Derrick Barnett, Robbie Shakespeare Bass [Electronic], Synthesizer, Keyboards, Drums, Programmed By – Robbie Lyn Drums – Michael Richards, Sly Dunbar Engineer – Bunny Tom Tom, David Rowe, Dean Fraser, Michael Riley*, Phillip Ziadie*, Ruddy Thomas Guitar – Dwight Pickney*, Willie Lindo Horns – David Madden, Dean Fraser, Chico Chin*, Nambo Robinson* Producer – Augustus 'Gussie' Clarke*

Artist: Black Uhuru Album: Red Label: Island Records – 103 644, Island Records – 103 644-100 Format: Vinyl, 7", 45 RPM, Single Country: Germany Released: 1981 Genre: Reggae Style: Roots Reggae Phonographic Copyright ℗ – Island Records Inc. Made By – Island Records Inc. Published By – Rydim Music Ltd. Pressed By – Sonopress Executive-Producer – Chris Blackwell Producer – Robbie Shakespeare, Sly Dunbar Written-By – M. Rose

Taken from the album "There is a reward" Virgin Records 1985

Label: Tropical Sunset – none Format: Vinyl, 7", 45 RPM Country: Jamaica Released: 1984 Genre: Reggae Style: Roots Reggae Producer – B.B. Seaton Produced & Arranged By B.B Seaton For CPP Ltd. (P) (C) 1984

Album: Reggae Knights Artist: Israel Vibration Label: Mediacom – VPMED0089 Format: CD, Album Country: US Released: 2011 Genre: Reggae Style: Roots Reggae Phonographic Copyright ℗ – Mediacom Copyright © – Mediacom Recorded At – Sunpower Studio Recorded At – Rippa Blaxxx Studio Glass Mastered At – CD-Click – C11-27

BEST OF REGGAE MIX SONGS FT Bob Marley, Gregory Isaacs, Dennis Brown, Roots Reggae MIX BY JOLEX ENT Donate to the channel via PAYPAL; [email protected]

Artist: Dezarie Album: Eaze the Pain Released: 2008 Style: Dancehall Label: African Roots Lab 9933 Producer: Ron Benjamin Country: US - United States Support My Content PayPal: [email protected]

Artist: The Itals Album: Rasta Philosophy Released: 1985 Genre: Reggae Style: Roots Reggae Country: US Lyrics I just want to get some satisfaction I just can't stand this kind of situation, yeah I just want to get some good satisfaction, Yeah oh yeah Whoa my people can't you see We were brought down here down here Down there in captivity So much sorrow and whoa so much pain This I know every day things won't be the Same So I just want to get some good satisfaction 1 just can't stand this war-like situation yeah I just want to get some good satisfaction Yeah oh yeah Sometimes I wish that my tongue could speak out clearly Thoughts that arrive in me Sometime when I can't- find the peace of mind I just want to get some satisfaction I tell you long time, yeah I just can't stand this war-like situation I just want to get some good satisfaction, Yeah oh Now is the time of decision I tell you long time And they can't stop us from fight this fight of freedom My word as my weapon So tell it along: I 'm a soldier in Jah army I just want to get some good satisfaction I just can't stand this warlike situation I just want to get some good Satisfaction CREDITS: Bass – Chellum Rocksborro Drums – Devon Brown, Ken Porter (2) Guitar – Bingy Bunny, Chinna* Keyboards – Chescott James, Devon Henry, Bubbler* Lead Guitar – Osbourn Ranking* Percussion – Bongo Herman, Scully* Producer – Leroy Pierson, Robert Schoenfeld Recorded By, Mixed By – Sylvan Morris Rhythm Guitar – Harmon Russell Saxophone – Deadly Headly* Songwriter – Keith Porter, Lloyd Ricketts, Ronnie Davis Trombone – Everald Gayle Trumpet – Arnold Brackenridge

Artist: Barry Isaac Album: Give My Regards Released: 2013 Main artists: Barry Issac Composer: Barry Issac Label: Reggae On Top Genre: Reggae Music Publisher: D.R

Album: Pass the Kouchie Artist: Mighty Diamonds Released: 1985 Producer: Mighty Diamonds BAD GONG RECORDS Mighty Diamonds Music Dist : Dynamic Sound Mast & Lacquer Cut: Dynamic Sounds Recording Co. Ltd. by Spiderman ~ 7'' ~ 1983 ~ Jamaica Written : F. Simpson, L. Ferguson

Ginalship - Original Artist: Don Carlos Album: Lazer Beam ℗ 2006 Charly Records Released on: 2006-04-14

Album: Live In Paris 1994 Released: 1995 Artist: Ijahman Levi Label: Jahmani – JMI 902 Format: Vinyl, 7" Country: Jamaica Genre: Reggae Style: Roots Reggae, Dub Producer – Ijahman Levi

Artist: The Techniques Album: I'll Never Fall in Love Released: 1983

Gregory Isaacs - Live and Love Judge Not 1984 Writer: Carlton Hines ℗ 1984 Greensleeves Records

Label: Phase One Records – none Format: Vinyl, 12", 45 RPM Country: Jamaica Released: 1978 Genre: Reggae Style: Roots Reggae, Dub

Released: 1989 Album: Prisoner Artist: Lucky Dube Genre: Reggae

Album: Distant Relatives Released: 2010 Artists: Damian Marley, Nas Genre: Reggae LYRICS: [Intro: Nas] Here we are Here we are Yeah This one right here is for the people [Chorus] Sabali, sabali, sabali yonkote Sabali, sabali, sabali kiye Ni kêra môgô Sabali, sabali, sabali yonkote Sabali, sabali, sabali kiye Ni kêra môgô [Interlude: Nas] Hey yo D Let's go all the way in on this one [Verse 1: Damian Marley] Some of the smartest dummies Can't read the language of Egyptian mummies An' a fly go a moon And can't find food for the starving tummies Pay no mind to the youths Cause it's not like the future depends on it But save the animals in the zoo Cause the chimpanzee dem a make big money This is how the media pillages On the TV the picture is Savages in villages And the scientist still can't explain the pyramids, huh Evangelists making a living on the videos of ribs of the little kids Stereotyping the image of the images And this is what the image is You buy a khaki pants And all of a sudden you say a Indiana Jones An' a thief out the gold and thief out the scrolls and even the buried bones Some of the worst paparazzis I've ever seen and I ever known Put the worst on display so the world can see And that's all they will ever show So the ones in the West Will never move East And feel like they could be at home Dem get tricked by the beast But a where dem ago flee when the monster is fully grown? Solomonic linage whe dem still can't defeat and them coulda never clone My spiritual DNA that print in my soul and I will forever Own Lord [Chorus] Sabali, sabali, sabali yonkote Sabali, sabali, sabali kiye Ni kêra môgô Sabali, sabali, sabali yonkote Sabali, sabali, sabali kiye Ni kêra môgô [Interlude: Nas] Yeah, Sabali. Thats patience. That's what the old folks told me Discovering the World before this World. A World buried in time Uncover with rhymes. It gets no realer [Verse 2: Damian Marley] Huh, we born not knowing, are we born knowing all? We growing wiser, are we just growing tall? Can you read thoughts? can you read palms? Huh, can you predict the future? can you see storms, coming? The Earth was flat if you went too far you would fall off Now the Earth is round If the shape change again everybody woulda start laugh The average man can't prove of most of the things That he chooses to speak of And still won't research and find out The root of the truth that you seek of Scholars teach in Universities and claim that they're smart and cunning Tell them find a cure when we sneeze And that's when their nose start running And the rich get stitched up, when we get cut Man a heal dem broken bones in the bush with the wet mud Can you read signs? can you read stars? Can you make peace? can you fight war? Can you milk cows, even though you drive cars? huh Can you survive? Against all odds, now? [Chorus] Sabali, sabali, sabali yonkote Sabali, sabali, sabali kiye Ni kêra môgô Sabali, sabali, sabali yonkote Sabali, sabali, sabali kiye Ni kêra môgô [Interlude: Nas] It's crazy when you feed people the truth you don't know how they're gonna react You're scared of wrong doers, people that just ignorant You're scared of the truth, be patient for now [Verse 3: Nas] Who wrote the Bible? Who wrote the Qur'an? And was it a lightning storm That gave birth to the Earth And then dinosaurs were born? damn Who made up words? Who made up numbers? And what kind of spell is mankind under? Everything on the planet we preserve and can it Microwaved it and try it No matter what we'll survive it What's hue? What's man? What's human? Anything along the land we consuming Eatin', deletin', ruin Trying to get paper Gotta have land, gotta have acres So I can sit back like Jack Nicholson Watch niggas play the game like the Lakers In a world full of 52 fakers Gypsies, seances, mystical prayers You superstitious? throw salt over your shoulders Make a wish for the day cuz Like somebody got a doll of me Stickin' needles in my arteries But I can't feel it Sometimes it's like 'part of me, but I got a real big spirit' I'm fearless, I'm fearless Don't you try and grab hold of my soul It's like a military soldier since seven years old I held real dead bodies in my arms Felt their body turn cold, oh Why we born in the first place If this is how we gotta go? Damn [Outro: Nas] This goes to all the wisdom and knowledge seekers of the World Sabali, Patience, yeah

Album: Hot Shot Released: 2000 Artists: Shaggy, Rayvon Genres: Reggae, Rhythm and blues, Reggae fusion, Pop

Artist: Luciano Album: Where There Is Life Label: Island Jamaica – IJA 2002, Island Jamaica – 854 321-1 Format: Vinyl, 12" Country: Germany Released: 1995 Genre: Reggae Style: Dancehall, Roots Reggae Producer – P. Burrell* Written-By – McClymont*, Burrell*