1 headline a day - 2025 InfoWars

In this age when men build towers of glass to stare at the stars and forget the earth beneath their boots, and when the newspapers scream prophecies more fantastic than any fairy tale, it is a curious and cheerful thing to pause and consider the year that has just passed — a year of 2025, that bold number which sounds like the title of a romance written by a committee of alarmists.

I have taken, for the mere sport of it, one single trumpet of the daily tumult — that resounding oracle known as InfoWars — and each day plucked from it a single headline, wilder than the last, more improbable than the one before. These proclamations of panic, conspiracy, and occasional common sense I have then set before the eye in the form of AI-generated art, each month inspired by the gaze of a different master of the grotesque, the visionary, or the merely mad: first the dark dreamings of Brom, then the savage caricatures of Gerald Scarfe, the splattered fury of Ralph Steadman, the low-brow apocalypse of Robert Williams, the intricate horrors of Alex CF, the bold strokes of Angryblue, the mechanical mysticism of Godmachine, the tattooed intensity of Thomas Hooper, the electric visions of Shawn Knight, the shadowy intimacies of Becky Cloonan, the sacred geometries of Alex Grey, and at last the psychedelic revelations of Chris Dyer.

What emerges is not a mere scrapbook of scandals, but a kind of modern bestiary: a procession of dragons, giants, and windmills that the world insists are real, and which we slay daily with laughter and paint. Here the globalists tremble at the return of a golden-haired king, vaccines are accused of crimes more gothic than any vampire, and the very farts of cows are taxed as though they were treason. It is a year in which the mad have been proven sane (or at least entertaining), the sane have been driven to distraction, and the whole mad whirl has been caught in a mirror held up by machines that dream like men — but men who have read too much William Blake after too much absinthe.

Is this the death-bed of the New World Order, or merely its most hilarious incarnation? Is the Deep State a conspiracy, or simply the name we give to the ordinary folly of men when they forget God and common sense? Come and see for yourself this snapshot of a single year from a single, most extraordinary source — a calendar of absurdities turned into art, where the incredible is made visible, and the visible is made incredible once more.

Watch, wonder, and perhaps laugh — for in laughter we are often wisest. As I have somewhere said, the poets have been mysteriously silent on the subject of cheese; but they have been positively deafening on the subject of doom. Here we answer them with pictures.

**Artists by Month (for the curious):**
- January: Brom
- February: Gerald Scarfe
- March: Ralph Steadman
- April: Robert Williams
- May: Alex CF
- June: Angryblue
- July: Godmachine
- August: Thomas Hooper
- September: Shawn Knight
- October: Becky Cloonan
- November: Alex Grey
- December: Chris Dyer

A full year's madness, one headline and one artist at a time.